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Viewmaster wrote:...but that might be pushing the grain on the film to resolve the 32 holes...
gary wrote:Viewmaster wrote:it can be externally synchronised
if it can be it has applications well beyond this one, any more information? a link perhaps?
gary wrote:Thanks Albert, I wonder if Baird could have imagined in 1925 that in 2011 you could buy, what for him would be a high definition camera, for the equivalent of 93 pence? (and Not to mention FREE delivery - I still can't see how they manage that).
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gary wrote:After a bit of googling I notice that a lot of those "surveillance" cameras claim to have "external frame sync" but none explain what they mean by that. As there are only power and video connections it's had to see how it is achieved, unless it is based on something like this:
www.sampson-jeff.com/qprot/d-m4088.pdf
and has some digital connections on the back.
I'll be interested in what you end up with.
Steve Anderson wrote:It's possible...but what it all hangs on is the glassware, the lens, is it up to the job? It'll need stopping down to it's smallest f-stop and an accurate focus. Steve A.
Klaas Robers wrote:Steve Anderson wrote:It's possible...but what it all hangs on is the glassware, the lens, is it up to the job? It'll need stopping down to it's smallest f-stop and an accurate focus. Steve A.
To my knowledge you should not go to the smallest f-stop, as then the optical bending around the small hole of the diaphragm spoils the sharpness. When you do the opposite, a large lens opening, the sharpness is spoiled by the optical errors in the lens. For maximum sharpness you should go to f/5.6 to f/9, depending on the quality of the lens.
As I learned in the past.....
Steve Anderson wrote:I'm tempted to order a couple of those monochrome TV cameras...
Steve A.
Viewmaster wrote:Goto to his listing and click on 'other items'
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